Ultrawide monitors can make video editing feel significantly less cramped, but a larger screen alone is not enough. Timeline space, panel visibility, playback layout, color accuracy, and overall desk comfort have a much bigger impact on the actual editing experience. Read on to explore the features and workflow considerations that matter most for video editing, or explore the ViewSonic ultrawide monitor range. Is an Ultrawide Monitor Good for Video Editing? Ultrawide monitors give video editors more room for longer timelines, larger preview windows, media bins, scopes, and editing panels without constantly resizing the interface. In Premiere Pro, DaVinci Resolve, and Final Cut Pro, this usually means less timeline zooming, fewer hidden panels, and quicker access to footage and effects while editing. Ultrawide displays also create a cleaner workspace by removing the bezel split common in dual-monitor setups. Ultrawide vs Dual Monitors for Video Editing Both ultrawide monitors and dual-monitor setups work well for video editing, but they create different editing experiences. Dual monitors separate playback and editing tools across multiple screens, while ultrawide displays keep everything on one continuous workspace with fewer hidden panels and less interface juggling. FeatureUltrawide MonitorDual MonitorsTimeline VisibilityLong continuous timeline viewSplit workspace between displaysWorkspace LayoutOne seamless viewSeparated by monitor bezelsColor ConsistencyUniform across one panelCan vary between monitorsDesk SetupCleaner cable managementMore mounts and cablesPlayback WorkflowIntegrated in one displayDedicated fullscreen monitor possible For most editing setups, 34-inch and 38-inch ultrawide monitors provide the best balance between workspace, comfort, and desk practicality. For a deeper comparison between ultrawide and dual-monitor setups, you can also read our guide on ultrawide vs dual monitors. What Actually Matters in an Ultrawide Monitor for Video Editing? Not every ultrawide monitor is built for editing work. Some prioritize gaming features over color accuracy, while others focus more on office productivity than post-production workflows. These are the specifications that matter most for video editing. 1) Resolution A larger screen alone does not automatically improve editing. 3440×1440 resolution on a 34-inch ultrawide monitor offers one of the best balances between workspace, sharpness, and GPU performance. 38-inch ultrawide displays often use 3840×1600 resolution, which adds useful vertical space for timelines, scopes, and editing panels. Lower-resolution ultrawide monitors can feel cramped surprisingly quickly once media bins, effects controls, and playback windows are open simultaneously. Monitors like the ViewSonic VP3881 and VP3881a are good examples of this larger 38-inch format, giving editors additional vertical room for scopes, effects controls, and longer timelines without moving to a dual-monitor setup. 2) Color Accuracy For video editing and color grading, accurate color matters far more than extremely high refresh rates. Look for ultrawide monitors with strong coverage of: DCI-P3 for video production Rec.709 for standard editing workflows sRGB for web delivery Factory calibration also plays a major role in editing consistency. Poor calibration can make footage look different across exports, client screens, and delivery platforms. For professional editing work, Delta E values below 2 are generally preferred. Monitors like the ViewSonic VP3481 and VP3481a are designed around this type of color-critical workflow, combining ultrawide layouts with factory-calibrated color performance for editing and grading. 3) Monitor Panel Technology IPS panels remain one of the safest choices for video editing because they provide more reliable color consistency and better viewing angles across the entire screen. VA panels can deliver stronger contrast, but IPS displays are generally more dependable for color grading, timeline work, and reviewing footage accurately over long sessions. OLED ultrawide monitors are also becoming more popular for editing because of their deep blacks and strong contrast performance, though pricing is still significantly higher than most IPS options. 4) Connectivity Modern editing setups rarely involve just a monitor and a computer. External SSDs, card readers, audio interfaces, cameras, and laptops quickly create cable clutter across the desk. USB-C connectivity with power delivery helps simplify the setup by handling video, charging, and data transfer through a single cable. Useful connectivity features include: USB-C with 65W or higher power delivery DisplayPort HDMI Integrated USB hubs Ethernet support on docking monitors Displays like the ViewSonic VP3456A and VP3481a are built around this type of laptop-based editing workflow, combining ultrawide layouts with USB-C docking, Ethernet connectivity, and integrated USB hubs that reduce cable clutter significantly. 5) Refresh Rate Most video editing workflows do not need a 240Hz monitor. For editing, resolution, color accuracy, and usable workspace usually have a much bigger impact than extremely high refresh rates. For standard editing work, 60Hz is completely sufficient. Displays in the 75Hz to 120Hz range can feel smoother while scrubbing timelines or reviewing motion-heavy footage, but refresh rate should not be the main buying priority for editing setups. 6) Ergonomics Larger ultrawide monitors need enough desk depth and proper positioning to stay comfortable during long editing sessions. Height adjustment, tilt support, VESA mounting compatibility, and viewing distance become increasingly important as screen size grows. Curved ultrawide displays can also feel more natural for timeline-based editing because they reduce eye movement across the screen. Create Without Limits Ultrawide Monitors for Video Editors Explore Now > Best Ultrawide Monitor Sizes and Aspect Ratios for Video Editing 34-inch ultrawide monitors remain one of the most practical sizes for video editing setups. They provide enough room for longer timelines, larger preview windows, and multiple editing panels without overwhelming smaller desks or requiring excessive head movement. Most 34-inch ultrawide monitors use a 21:9 aspect ratio with 3440×1440 resolution. This format works especially well for editing because it keeps timelines wider while leaving enough room for playback windows, media bins, and effects controls. 38-inch ultrawide displays add additional vertical space through resolutions like 3840×1600, making scopes, effects panels, and complex editing layouts feel less cramped during longer sessions. Displays like the ViewSonic VP3881 and VP3881a are good examples of this larger ultrawide format, giving editors more room for panel-heavy editing and grading workflows without relying on dual monitors. 49-inch super ultrawide monitors can replace dual displays entirely, but they are not ideal for every desk setup. Extremely wide displays can require too much head movement during long editing sessions. For most editing workflows, 34-inch to 38-inch ultrawide monitors offer the best balance between workspace, comfort, and practicality. Flat vs Curved Ultrawide Monitors for Video Editing Curved ultrawide monitors have become increasingly popular because they help maintain a more consistent viewing distance across wide screens. On larger displays, curvature can reduce eye movement and make long timelines easier to follow during extended editing sessions. Curved ultrawide monitors work especially well for: Long-form timeline editing Multicam editing After Effects workflows Extended daily editing sessions Flat ultrawide monitors still appeal to editors who prefer straighter visual geometry and more traditional screen layouts. The better choice usually comes down to viewing comfort and desk setup. Create Without Limits Ultrawide Monitors for Video Editors Explore Now > Choosing an Ultrawide Monitor by Video Editing Workflow Different editing workflows benefit from different monitor strengths. Long-Form Editors Documentaries, podcasts, YouTube content, interviews, and multicam productions benefit heavily from expanded horizontal timeline space. Recommended features include: 34-inch or 38-inch ultrawide format 3440×1440 or higher resolution 21:9 aspect ratio IPS panel technology USB-C connectivity A larger timeline often improves editing speed more than adding another display. Color Grading and Finishing Work Grading and finishing workflows should prioritize color performance before screen size. Important features include: DCI-P3 coverage Factory calibration Low Delta E values Uniform brightness Reliable panel consistency Accurate color matters more than gaming-oriented specifications. Motion Graphics and After Effects Work After Effects workflows benefit from smoother playback and larger workspaces for layered compositions and multiple panels. Useful features include: Higher refresh rates Larger curved ultrawide displays High-resolution timelines Strong GPU compatibility Motion-heavy workflows usually benefit from smoother playback more than static editing environments. Hybrid Editing Setups Editing workflows often involve file management, client revisions, uploads, browser research, and communication tools alongside the actual edit. For hybrid setups, connectivity and workspace flexibility become increasingly important. Useful features include: USB-C docking support Multiple video inputs Integrated USB hubs Picture-by-picture support Ergonomic adjustability Who Should Actually Buy an Ultrawide Monitor? Buy One If: You edit long timelines regularly You want easier access to media bins and editing panels You prefer a cleaner single-screen setup You spend most of your day inside Premiere Pro, Resolve, or Final Cut Pro You want to reduce panel switching and interface clutter Skip It If: You strongly prefer dedicated fullscreen playback monitors Your desk depth is limited You want an extremely compact setup You are considering a display that is wider than your workspace can comfortably support Final Thoughts The best ultrawide monitor for video editing is the one that keeps more of the editing workflow visible without constantly rearranging panels, switching windows, or managing multiple displays. For most setups, 34-inch and 38-inch ultrawide monitors offer the best balance between timeline space, comfort, and practicality. Explore ViewSonic ultrawide monitors designed for professional video editing and post-production workflows. Create Without Limits Ultrawide Monitors for Video Editors Explore Now > Frequently Asked Questions Is an ultrawide monitor better for video editing? Yes. Ultrawide monitors provide more visible timeline space and make it easier to keep preview windows, media bins, scopes, and editing panels accessible simultaneously. What size ultrawide monitor is best for video editing? 34-inch ultrawide monitors are one of the most practical options for video editing because they balance workspace size, desk compatibility, and resolution well. Larger 38-inch displays add more vertical workspace. What resolution is best for an ultrawide video editing monitor? 3440×1440 is one of the most common and practical ultrawide resolutions for editing. Higher-end 38-inch monitors often use 3840×1600 resolution for additional workspace. Are curved ultrawide monitors good for video editing? Yes. Curved ultrawide monitors can reduce eye movement across wide timelines and feel more comfortable during long editing sessions. Do professional video editors use ultrawide monitors? Professional editors often use ultrawide monitors for timeline editing and workspace organization. Some also combine ultrawide displays with a secondary reference monitor for fullscreen playback and color evaluation. TAGS Editing WorkstationsUltrawide Monitor for Video EditingUltrawide Video EditingVideo Editing MonitorsVideo Editing Setup SHARE